Most of you, who would bother coming here, have heard me at some point make reference to “My Novel”. Be it over Facebook status, a conversation, an arbitrary comment, what have you-- you have probably heard me mention this mystery novel and some of you have even asked, “What’s it about?”.
This is the part where I stare back at you in silence for a moment while my brain tries to compile the enormity of the last three years of world building, character development, plot lining, twist turning, cliff hangers, and all the other things that make these eventual books—
Singularity, Infinity, and
Relativity—(at least their names for now, although I’ve gotten kind of attached to them, and the physics names are all kind of an underlying science theme I am aiming for….blah, blah, blah) into a cohesive description that you, the lay person with no insight into my vivid, whirlwind imagination, could possibly understand as to what exactly I am trying to create without an in-depth, hour long, confusing and constantly back tracking explanation… which will follow.
I’m not insulting your intelligence in assuming so pompously that you, said lay person devoid of a window into the head of a head case, could not possibly understand what the hell I am talking about. Nor, am I trying to insinuate that I’m writing an intensely deep, complicated novel that will rival the collective works of Austen, Twain, Fitzgerald, Vonnegut, King, Rowling, and Meyer… Hahaha. Okay that last name was hard to type because I was laughing so hard I was snorting. I am definitely not trying to insinuate that my book will rival Stephanie Meyer—because no matter how horrendous of a writer I turn out to be, my novels will exceed, outclass, and make a complete mockery of the series that Meyer and her coven of hormonal tweens—and their pathetic sisters and mothers—consider a literary masterpiece of epic romance. Once again, that last part of the sentence was complicated with the laughing and the snorting.
If I had break it down to its most basic components, I guess I would have to say it is about souls—those who have them and those that do not, and all the scientific reasons why.
DISCLOSURE: THIS STORY HAS ABSLUTELY NOTHING TO DO WITH VAMPIRES OR WEREWOLVES. So, if you don’t tend to stray any further down the literary rabbithole than those two topics, and you know who you are, and I’ve probably criticized you at length, than you’re probably not going to be interested. Sorry. Like, I know it’s totally the popular thing to the right now, and like, every person that thinks they are a writer is totally doing that – but, that’s exactly why I am writing about nothing that has to do with Vampires or Werewolves. Meyer bashing aside, the whole idea boils down to what are souls, really? In my world, they are an electromagnetic based organism, a parasite that feeds off the energy of humans, and this is the reason we die. But, through the wonder of evolution, some humans have adapted to fend off these parasites, and thus they have no soul (Vapids) and because of their sans-soulness, are immortal. Others have adapted to have a symbiotic relationship with souls allowing an increased mental capacity, superpowers in other words (Abstracts), and are also immortal. Now, this immortality has its limits. While they stop aging around the early thirties, being an Abstract or a Vapid doesn’t mean you cannot die. They are still susceptible to disease and trauma, but they will never die because of old age.
That’s pretty bare bones, I know, and even a little bit more farfetched, but if you have ever watched Star Trek, it probably seems a little less hard to wrap your brain bones around.
Okay, so where am I going with all this? Well, if you are actually under the illusion I am going to finish this someday, and think you might ever read this STOP NOW, because in the words of River Song, SPOILERS!:
Here’s the best way to explain the beginning of the plot—
A man named Elias Dethridge—my antagonist… (or is he? Could he possibly also be a protagonist? Who knows? Read the book in a decade when I finally finish it, and find out for yourself.) – This is the part where you roll your eyes at me, stop trying to follow my impossible train of thought and say, “Fuck, she is long winded!”—anyway, Elias Dethridge, antagonist, protagonist, whatever, is a vapid. He falls for a normal human lady, Violetta, who will eventually die, and decides he can’t be with her until he finds a way to make her immortal like him. Flash forward through years of traveling, talking to wise men and shamans and other general conveyers of mysticism, and soul-searching – pun absolutely intended—and he finds a way to make her immortal by removing her soul. Enter Magnus Finnegan, or better known as Finn. He is an abstract, and his power is… you ready for this, electromagnetic manipulation, or in other words, he can extract Violetta’s parasite, a.k.a soul, and make her immortal right? Makes sense. Absolutely logical. Anyone without a soul is immortal.
WRONG!
Taking out the soul of normal human does such irreparable, traumatic damage to their body and psyche, it essentially drives them insane (think Drusilla from Buffy). What is poor Elias to do? Find a way to fix her. Okay, get ready because here comes the rubber science—
A soul implants after birth –haha, fuck you anti-abortionists, not in my book!—and bonds with the body physically. Remove it and it will kill the person, but when they die it just simply moves on to another host. Revive that person and the soul is no longer bonded to the body of that person, and they’ll be immortal. Unfortunately, one unintended side effect is they lack that sanity thing that most people—myself excluded—enjoy and take for granted on a regular basis. The soul becomes such a interconnected part of the body, it’s like the worst form of phantom limb you can experience, thus the crazy. If you can put it back in though, all your problems are solved! The best part? Since the soul has bonded to a new body, it doesn’t recognize the host, but the body recognizes the soul and is relived of all of the stress derived from extraction. It’s like trying to put a round peg in a square hole—it still fits, but not quite. But, hey, sanity restored.
Easy peasy lemon squeezy, right?
WRONG!
Did you not pick up on the part where the soul bonded to another person? That means you have to kill the new host. And, it’s not like there is an Iphone app for finding displaced souls. It can take years for repossessors and seers to find the soul and it’s new host. So, what is Elias Dethridge to do while he tries to restore his wife? While he waits patiently for decades to once again have Violetta back? What else? Build a black market empire on this amazing new power he knows how to wield.
So, Dethridge becomes a rich, entrepreneur of supernatural services, and eventually becomes one of the most powerful men on the planet. Then, suddenly, it happens! They find Violetta’s soul! Finn is sent to recover it—except, aww, isn’t that always the way? Finn completely falls in love with the girl he is suppose to kill and steal the soul from… what is a man totally indebted to another man for a life of wealth, luxury, and power to do in this situation? Easy. Kill someone else, send the fake soul back, and run away with the girl. Duh. Which would have been very romantic and all, except Dethridge isn’t going to let that fly! He has become a vicious, soul stealing, murder through vicarious acts of his repossessors, madman insane with power. He gets another repossessor , they kill the girl and take the soul, nearly killing Finn and leaving him for nearly dead. His true love slain by the hands of the only father figure Finn’s ever known, there is really only one thing to do, isn’t there? Start a fucking revolution to bring down an empire, stop Dethridge’s tyranny, and seek the ultimate form of vengeance—he has to kill Violetta Dethridge. The plot builds, stuff happens, characters get introduced, more stuff happens, and eventually that is exactly what Finn does. He frees the soul of the woman he loved in the hopes that when it comes back-- and here’s hoping it comes back into another woman, because otherwise,
that’s awkward—she will learn to love him again. He’ll be around right? He’s immortal. He’ll just wait. How romantic. Everybody swoons and awes, and eventually they live happily ever after, right?
WRONG!
The soul attaches to a girl, luckily for Finn, but in the ironic way that writers work, it attaches to an abstract, a girl with empath abilities. Oh, did I totally forget to mention that DETHRIDGE KILLS ALL EMPATHS BECAUSE THEY ARE A THREAT TO HIM!? Oh, curse you dramatic irony! What is Finn to do? Save her of course. He’ll just keep her hidden, keep a distant eye on her, keep her safe until she grows up and he can explain everything and she’ll fall madly in love with him and they will run off together into the sunset, right?
Do I really need to say it? I mean, you have got to be getting the picture here, picking up on some kind of pattern.
WRONG!
Enter the protagonist (Maybe? Plot thickens…) Max, who is an out of work artist, beaten down by life’s unfair blows, driven to the point of insanity by the voices in her head, and a full-fledged alcoholic.
And, here, despite all that immense and detailed back-story, is where the novel really starts. Max is exposed to Dethridge, he sends a hit out on her, but Finn gets her out, tagged along by her best friend, loyal side kick, and all around ‘Ducky’, Ridley. From here is the adventure I call “Singularity”.
Yeah, now that you read all this, sound pretty awesome, doesn’t it? And now you are all like, “Damn! I spoiled everything.” Rest assured, there are many more twists and surprises to come. I mean, I obviously have to come up with tons more bull shit to put into the other two books…
Now you know. One a scale of 1-10, how fucking confused are you right now? =)